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surfnburn

A little art history...

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Judith Beheading Holofernes by Artemisia Gentileschi (1612-21) Oil on canvas, 199 x 162 cm Galleria degli Uffizi, Florence

492px-GENTILESCHI_Judith.jpg

Doesn't she have a real matter-of-fact look on her face? lol She could be carving up the turkey...lol

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Thanks for this thread, Ames...I posted this one at the old Farm but it is a favorite of mine so I will post it here. I bought a postcard with this image on it at the Royal Mews in London. I would love to have a copy on canvas....

This is a painting by Sir Edwin Lanseer. After the death of her husband, Prince Albert...Queen Victoria was unconsolable. John Brown was sent with her favorite horse to Osbourne House....

Landseer.jpg

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Judith Beheading Holofernes by Artemisia Gentileschi (1612-21) Oil on canvas, 199 x 162 cm Galleria degli Uffizi, Florence

492px-GENTILESCHI_Judith.jpg

Doesn't she have a real matter-of-fact look on her face? lol She could be carving up the turkey...lol

Wonder what he did to piss her off so much :icon_surprised:??

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^I love Dali! You're right; he was art.

I love the other paintings, too. They're all so different, huh? Art expression is so interesting.

Wonder what he did to piss her off so much??

Must have been an ex-husband, right girlfriend? LOL

I think the story was that they got him drunk, then she carved him up. After that, she took his head to town...lol (She took it to town he was attacking.)

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By COLLEEN BARRY, Associated Press Writer Sun Oct 28, 7:40 AM ET

MILAN, Italy - Can't get to Milan to see Leonardo Da Vinci's masterpiece "The Last Supper?" As of Saturday, all you need is an Internet connection. Officials put online an image of the "Last Supper" at 16 billion pixels — 1,600 times stronger than the images taken with the typical 10 million pixel digital camera.

The high resolution will allow experts to examine details of the 15th century wall painting that they otherwise could not — including traces of drawings Leonardo put down before painting.

The high-resolution allows viewers to look at details as though they were inches from the art work, in contrast to regular photographs, which become grainy as you zoom in, said curator Alberto Artioli.

"You can see how Leonardo made the cups transparent, something you can't ordinarily see," said Artioli. "You can also note the state of degradation the painting is in."

Besides allowing experts and art-lovers to study the masterpiece from home, Artioli said the project provides an historical document of how the painting appears in 2007, which will be valuable to future generations of art historians.

Although there appeared to be problems with the Web site late Saturday, it was accessible earlier in day.

The work, in Milan's Church of Santa Maria delle Grazie, was restored in a painstaking effort that wrapped up in 1999 — a project aimed at reversing half a millennium of damage to the famed artwork. Leonard painted the "Last Supper" dry, so the painting did not cleave to the surface in the fresco style, meaning it is more delicate and subject to wear.

"Over the years it has been subjected to bombardments; it was used as a stall by Napoleon," Artioli said. The restoration removed 500 years of dirt while also removing previous restoration works that masked Leonardo's own work.

Even those who get to Milan have a hard time gaining admission to see the "Last Supper." Visits have been made more difficult by measures to protect it. Twenty-five visitors are admitted every 15 minutes to see the painting for a total of about 320,000 visitors a year. Visitors must pass through a filtration system to help reduce the work's exposure to dust and pollutants.

"The demand is three or four times higher, but we can't accommodate it because of efforts to preserve the painting," Artioli said.

___

On the Net:

http://www.haltadefinizione.com

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